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There is huge number of supported formats as well covering video importing and compressed audio files. Any combination of windows can be docked fluidly across multiple monitors to create a unique work environment suited to the task at hand, or just grab one of the many workspaces presets to effortlessly jump from a mastering job to editing a podcast and everything in between. One of its strong suits though is the extreme amount of customization options on hand and its ability to adapt to a vast number of audio editing roles and applications. It is clean and functional though with a new dark mode being available in version 15 which seems to be the industry standard for creative apps these days. The UI is utilitarian at best and the interface could possibly do with a more modern overhaul from a visual standpoint.
Sound forge pro 12 manual how to#
It may sound trivial, but coming from another audio editor / DAW environment, it can often be frustrating figuring out how to accomplish often simple functions and this mitigated that issue elegantly.
Sound forge pro 12 manual software#
In addition to the manual, upon loading up the software for the first time you are greeted with an interactive tutorial system which provides a very visual walkthrough of all the components, menus and windows and will have you oriented in no time.
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Special mention must be made of the tutorial system included with Sound Forge Pro 15. From its humble roots as an audio editor, it now caters for professional audio recording and mastering, sound design, audio restoration, CD authoring, podcast production and much more.
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With most of the Sony creative software catalogue under the Magix banner, Sound Forge, now in its 15th iteration, turns 30 this year. Originally published by Sonic Foundry before changing hands and becoming part of Sony's creative software division in 2003, Sound Forge is a true veteran in the world of digital audio software and a staple on many an audio engineer's workstation. A free trial is available for your to check it out for yourself.Source: Magix Sound Forge Pro 15 Review () If you work with audio post production in any kind of regular capacity, it’s well worth a look. It’s priced somewhere between WaveLab Elements and WaveLab Pro, which pretty accurately reflects its feature set relative to those two packages. For voiceover, podcasting, audio repair, mastering, CD creation and more it’s an excellent solution for Windows-based musicians. It has comprehensive and advanced editing and analysis tools, a great suite of plug-ins, and supports pretty much any audio format you could name. So comparisons with Cubase and Logic are a little wide of the mark - it’s much more akin to something like Steinberg’s WaveLab (which is Mac and PC compatible).
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Sound Forge Pro 12 is a highly competent audio editor and multitracker, though it stops short of qualifying as a “DAW” in the way we’d usually think of one since it lacks MIDI capability for instruments - MIDI is only available for triggering recording and a few other transport / sync purposes. This isn’t included here, though it, along with a bunch of add-on FX packs, is included in the Sound Forge Suite version. Version 12 also integrates with Spectralayers Pro, another Magix product for advanced audio analysis and repair.
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Both are technically the entry level versions (the full versions cost far more) but they are a nice addition and will certainly be welcome when it comes to editing and mastering audio.
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iZotope’s RX Elements is a well-respected suite of tools for cleaning up and repairing audio, and Ozone Elements is the company’s suite for mastering. The built-in processors are great (if slightly clinical in their appearance, something which is common to Windows-only audio apps) but you also get two better-known plug-ins thrown in as well.
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